
"Bonfire"
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Back in the earlier years of the past century, a certain amount of youthful rowdiness
was not merely tolerated, but to some extent tacitly encouraged. ("Boys will be boys,"
dad might proudly complain.)
At no time of the year was this more true than at Halloween, when the "trick" in trick-or-treat
invariably meant treat... or else! Ignoring the "or else" part might result in having your
outhouse tipped over, or the wheels from your Model A Ford turn up missing, or in having to
clean up after some other prank that would have been tolerated at no other time of the year.
When I was growing up in the years just before World War II, these practices were
already fading away, probably because, scarred by the difficult years of the Great
Depression, folks had become less tolerant of even the pettiest and most innocent of vandalism.
For as long as Halloween had been observed, one of the most popular events was a great
bonfire, at which all manner of stuff would be gleefully tossed onto a blaze set out
in the middle of a road, or in a vacant lot, while costumed onlookers cheered, hooted
and danced around while flinging into it empty crates, broken furniture, and other
burnable booty they'd been hoarding for weeks beforehand.
For a wonderful evocation of the Halloween bonfire, go rent that favorite old Judy
Garland musical, Meet Me In St. Louis. Set in 1904, the film portrays a suburban family
in the months before the St. Louis World's Fair. We meet the youngest daughter of the
family, "Tootie," played by a young Margaret O'Brien, who has a breathtaking Halloween
encounter that begins around a roaring Halloween bonfire. No Halloween fan should miss this!
Even though the Halloween bonfire seems to have faded from tradition (hazardous at best,
thus a not-unwelcome passing), an artist is allowed to wax nostalgic for something he's
never directly experienced.
I knew exactly how this painting should look even before I began it, and yet it took
over a year from beginning to completion, through endless sketches and three separate
versions, before it finally felt right.
Here it is. I hope you enjoy it too.
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The medium print size is 7.5" x 9.5", double matted (charcoal over a white liner),
backed with rigid foam-core board, ready for framing in any readily available 11" x 14"
frame. Shipped Priority Mail.
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The large print size is 12" x 18" on 13" x 19" paper. After I carefully
inspect and sign your print, I'll slip it into its protective clear plastic envelope
and carefully roll it for mailing to you, together with a page of helpful framing
hints. Shipped Priority Mail.
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The Premiere Limited Edition print is 17" x 24" on 22" x 28" paper.
This is one of a growing series of Limited Edition prints duplicating each painting's original size
in an edition of 150 signed and numbered prints, produced to extremely high standards on fine art paper,
through the Giclée process.
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Canadian/Int'l Shipping: Click the "Add to Cart" shipping button below one time for your entire order.
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United States Shipping: FREE within the USA
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Canadian/International Orders must add the above shipping charge to your order before checkout, unless purchasing only, any free
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IMPORTANT! Halloween is Here is not responsible for any Duties, Custom Charges,
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as the HIH Store only ships to the United States at this time. Thank you and happy haunting!

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All art print graphics and text are used with permission and Copyright © Lewis Barrett Lehrman. All rights reserved.
Copyright © 2001- Halloween is Here!
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